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Pyrograffiti

by Kathleen Menéndez


Pyrography News From Around the World

Newsletter No. 37, Page Three of Three







CONTENTS

Page One:
Krasimir Hristov
and His PYRONAISSANCE of Old Masters Works
Angelce Miskov--Pyroengravings of Albrecht Dürer Works

Page Two:
Aleksis Ponze Gallegos--Autochthonous Themes of Peru
Grigoriy Tischenko Overcomes Great Challenges

Page Three:
Kids Corner--8-year-old Nina Govaerts Follows in Her Father's Footsteps
Anikó Hazafi--Works in Fire and Light
Michael Janson--In the Palace of Culture
Sonny Cain--A Tattoo Artist Tries Pyrography





KIDS CORNER:
8-year-old Nina Govaerts
Follows in Her Father's Footsteps


Wasbeer (Raccoon)
by Nina Govaerts, 2005

Pyrography on wood panel

Image courtesy of Ivan Govaerts


Eight-year-old Belgian artist Nina Govaerts from the city of Malines recently decided to try her hand at pyrography under the guidance of her father Ivan Govaerts.

Ivan is already well known on the IAPA internet message board as well as to WOM readers since he was introduced in the May-June 2003 Pyrograffiti.

This time, however, it is Nina who is in the spotlight. Shown above is her first ever pyrography. The care and perseverance that she has put into her work and the natural talent that she brings to it are all wonderful.


The Pyrotool Nina Govaerts Uses
Adapted by her father

Image courtesy of Ivan Govaerts


Nina's Tool and Safety Precautions

Shown above is Ivan's tool, which he is now sharing with Nina. Because Nina is so young and also a beginner, Ivan stays right with her to supervise when she works. For this reason, one pyrotool is sufficient for both of them.

In addition, Ivan has cleverly adapted his tool to make it safer and more comfortable for his little girl by adding a protective ring of very thick leather to the pen handle to prevent accidental burns and keep Nina's fingers from getting too hot.

Ivan is teaching Nina to draw and plan her designs in preparation for her pyrographs. He is trying to teach her the shapes of things by tracing different patterns, as well as teaching her lines and dots with her pyrotool. She works on tracing paper and when her design is ready, she copies it onto her plaque and starts to burn.

The supervisory aspect is important when considering woodburning with children. Recently Ivan was accepted into the academy for firefighters--a proud moment for him and his family. However, with his intense training during this period, he has had to forego other activities for a while. So, while Ivan is rarely using his pyrotool of late, Nina's opportunities to work in pyrography likewise have been fewer without her Dad there to guide and supervise her.


Zwaannin (Swan)
by Nina Govaerts, 2006

Pyrography on wood panel

Image courtesy of Ivan Govaerts


You won't want to miss a really pretty picture of Nina at work on Nina's Page--the web page that her proud father has already prepared for her.

Ivan says, "Nina wanted to try pyrographic art after she saw me doing this work. In the beginning she was a little disappointed because she could not get the quality of my work. She is very demanding on herself by nature. Now she knows that she has to practice a lot."

Nina will soon be celebrating her ninth birthday.




Anikó Hazafi--Works in Fire and Light


Tired Man
by Anikó Hazafi

Image courtesy of the artist


Introduction

Hungarian pyrographic artist Anikó Hazafi was born in 1975 in Kiskunhalas; however, now she lives in Kiskörö, which is the hometown, she says, of the famous Hungarian poet Sändor Petofi. She displays her pyrographic art works on the walls of the pub that she and her husband own and run.

According to Anikó (whose name, by the way, is the Hungarian version of Ann), she was only a child the first time she saw a painting done in pyrography. Although she didn't really pay any attention to the fact that it was pyrography per se, she did feel that the painting really touched her and it certainly left a lasting impression. And, although the technique did not seem important at the time, she did realize the work was a curiosity.


Castle and Keep in Transylvania c. 1800
by Anikó Hazafi

Image courtesy of the artist


Technical Notes

Tools. Anikó describes her pyrotool only as a poor one. She says she uses only two tips for her work. She likes to burn deeply and darkly in varying tones, and to create the strong highlights in her dark work, she also uses a little polishing tool.

Wood. Anikó works mostly on Birch wood.

Anikó's pyrotool


Heathcock
by Anikó Hazafi

Image courtesy of the artist


Pyrography in Hungary

Anikó says that pyrography in Hungary is little known--not, as she imagines, it is beyond the borders of her country. She herself is self taught and just started working in this art form in 2005 with a little landscape on a wood panel.

Anikó says she just loves to make special things and that includes doing pyrography. What I found remarkable about her art is that she has such a distinctive personal style and effective technique even though she began doing pyrography less than a year ago.

Her goal is to show the charm of fire on wood to as many people as possible. She would like to see pyrographic art gain in popularity in her own country of Hungary. She hopes to show others what a wonderful thing fire painting is--a wonderful play of fire on wood.

Thanks to Anikó, their customers at the pub already appreciate it.


References

Anikó is showing her work at the following site: www.painter.hu/hazafianiko.

Look for the Anikó Hazafi E-Museum Salon at this link.




Michael Janson--In the Palace of Culture



The 8-Steps Way
by Michael Janson, 2005

Virtual composition made from a computer image
of an original pyrograph on artist's paper

Image courtesy of the artist



A New Position

Russian abstract artist Michael Janson from St. Petersburg wrote to give us an update on another successful year in his always interesting life.

Besides an angelic granddaughter named Anastasia who has taken over his life and stolen his heart this past year, since last June he has been working in the position of Chief Artist in one of St. Petersburg's three or four "Palaces of Culture."


The Talisman for World Wanderers
by Michael Janson, 2005

Virtual composition made from a computer image
of an original pyrograph on artist's paper

Image courtesy of the artist



ArtIndex 2005

Michael has once more been published in St. Petersburg's prestigious ArtIndex--this year with two pages dedicated to his work! The works published are the two images shown here entitled "The Talisman for World Wanderers" and "The 8-Steps Way."

The official presentation of the new volume--ArtIndex 2005--took place on January 27, 2006.


Illustrator

Michael's latest news is that he is also working as a book illustrator for a new book called "The Echo of Meetings." The story behind this new opportunity began with the idea of ArtIndex illustrating 100 short poems written by a well known journalist from the Russian magazine Rodina whose name is Tamara Piterskaya. Tamara's poems are devoted to highlighting 100 of Russia's most outstanding journalists, singers, artists, scientists, actors, choreographers, etc. There is even a poem dedicated to Russia's President Putin!

Originally ArtIndex was interested in this endeavor and having 100 of their featured artists each illustrate one of the 100 poems. Michael's "brainy" work (from ArtIndex 2004) entitled Universum was chosen as the illustration for the poem dedicated to the famous Russian physicist and Nobel Prize winner Zhores Alferov who was to be featured in that book.

Cover of the new book
The Echo of Meetings
Written by Tamara Piterskaya
Illustrated by Michael Janson


Fate stepped in. The good news is that Tamara decided that using only one artist to do all the illustrations would be more 'cost effective' and offered Michael the job! The bad news (for us pyrography enthusiasts anyway) is that Michael realized doing 100 illustrations in pyrography was unrealistic, so he decided to draw with the help of a computer.

He had the idea (brilliant idea, of course) to use the initials of each VIP and do a design with them that symbolized each person's respective claim to fame. Below is one example--what he ultimately used to cleverly illustrate the poem for Zhores Alferov.

Zhores Alferov
by Michael Janson, 2005

Virtual composition from computer-generated image

Image courtesy of the artist




Sonny Cain--A Tattoo Artist Tries Pyrography


Sonny Cain
At work pyroengraving in his studio, January 2005

Image courtesy of the artist


Grafik Dragon

Born in 1964, American artist Sonny Cain--aka Grafik Dragon--from Indiana has been working in artistic things since he was a little boy of about six or seven. He remembers making lots of things out of all kinds of different materials. After finishing high school at age 16, Sonny started working in his father's business of two-way radios. By 18, he got his first tattoo and took a big interest in learning that art form in his spare time. In 1998, he landed an apprenticeship in the shop of a well known tattoo artist. He said that drawing had always been hard for him until he was at that shop.

Sonny has been working in pyrography since w-a-a-a-a-y back in-----January! Yes, Sonny just started a few weeks ago. Here, in his words is how that came about:

"I got interested in pyrography after the death of a great tattoo friend when we all wanted to make his family something to remind them that he was loved the world round. So I went and picked up a Detail Master burning pen set at Woodcraft and started going at it."


Commemorative Plaque for Thomas Norbom
by Sonny Cain, 2006

Pyrography on wood plaque

Image courtesy of the artist


A Man of Many Talents

Sonny just learned about pyrography in 2005 at a turkey shoot in southern Indiana. But that's not all he does:
"I am an all around artist dabbling in all mediums. My favorites are, but not limited to: tattooing, woodworking and fine furniture building, silversmithing, bladesmithing, leather work, oil paints, and have been known to sew a mean prom dress. I also am a great cook."

In the few weeks since he began, Sonny has been burning away at an amazing pace. He already has a portfolio worth of works, has joined IAPA to dialogue with more pyro artists, and has put together his own web site!


Snake with Flames
Tattoo Flash Art
by Sonny Cain, 2006

Pyrography and colored pencil on wood plaque

Image courtesy of the artist


Two Sides to Every Story

Sonny is an authentic "hands on" man with boundless energy. When I asked the question you know I'd have to ask when he wrote that, among other things, he could sew a "mean prom dress," he explained that he was "one of those guys that took home economics in school--lots of girls in there," he laughed. He also added that he "...learned to sew pretty good. I have had part time jobs as an alterations tailor. There are many other things that I can do that I did not mention because I do not do them much anymore."

He is able to do so much, in part, he says, because he only sleeps a couple of hours a night. He is at home now, he explains, disabled by his Bipolar disorder. He mainly spends his days taking care of his two teenaged daughters and doing his artwork. His Bipolar condition is a daily struggle for Sonny. He says that he has many hours when he has to entertain his mind in order to avoid manic episodes.


Viking
Tattoo Flash Art
by Sonny Cain, 2006

Pyrography on wood plaque

Image courtesy of the artist


Sonny does his designs by tracing from his tattoo design source the hard lines and then doing freehand the details. He thinks that tattooing has taught him to work quickly, and that pyrography has many similarities with the tattooing. The "Pretty Woman" piece below he did in less than an hour.

Sonny says that in 2000 he started his own tattoo shop, but that in 2004 he was robbed and was forced to shut it down. He still travels every summer, though, to South Dakota to tattoo at the motorcycle rally there.

The day he wrote to me answering my questions for this article, he was also cooking for the Shriners. Never a dull moment for Sonny Cain.


Pretty Woman
Tattoo Flash Art
by Sonny Cain, 2006

Pyrography and colored pencil on wood plaque

Image courtesy of the artist



References

"Tattoo Flash," Sonny explained, "is the artwork that is displayed on the walls and in books at tattoo shops."

Go here to see Sonny's new website: www.artofcain.com.

Look for some new works by Sonny soon in his Sonny Cain Salon in the E-Museum.




New Website for Carole "Burnie" Peters--Great birthday present from her husband! Check it out at www.scorchart.com.

Congratulations to Sue Walters on Her "Best in Open" Category Win at the Hamilton Show in Ontario, Canada!




Click here to go back to page one

Click here to go back to page two





The Author

Kathleen M. Garvey Menéndez learned her pyrography techniques in Guatemala in 1975-1977. Her sister, Artist Sharon H. Garvey, later joined her there to collaborate on a pyrography project designed to promote this art form in the United States by means of a didactic book and a pyrography tool made by Navarro of Mexico.

Thanks to the internet, this is the beginning of the tenth year of articles on pyrography for the Woodcarver Online Magazine (WOM), started January 1997, and the ninth year of the E-Museum of Pyrographic Art, which opened its virtual doors January 1998. In March of that year, the International Association of Pyrographic Artists (IAPA) was formed and members began meeting on line. Linked from the E-Museum's Café Flambé, which hosts the IAPA meetings, is the Yahoo Groups uniting_pyrographers mailing list, member list, and chat forum set up for IAPA members by IAPA Cofounder Ken "Mixo" Sydenham of Warragul, Victoria, Australia.



2006, Kathleen M. Garvey Menéndez, all rights reserved.