Easy Woodcarving
By Cyndi Joslyn
Reviewed by Mike Bloomquist
If there's one thing I've learned
from writing book reviews for Matt, it's this: "Do not pre-judge a book
by the author's previous work". Sometimes the book is
disappointment... sometimes it's a pleasant surprise. I have a
previous book by Cyndi Joslyn titled Carving
Santas From Around The World,
but have only used certain elements from it. At first I thought
the Santas would make good Santa projects for beginner students, but
the wrap-around pattern and carving-on-the-corner technique put me off
as being too confusing for them. In all honesty, I probably underestimate my beginner students. Anyway, I remember in the end
buying it primarily for the trim patterns she had on her Santas which
consists mainly of "tiny doodad dots" painted with a stylus tool (page
8). Not
a bad wood carving book. Very much worth a look, so you can
decide for yourself.
Easy
Woodcarving? It makes a
bold promise doesn't it? Like, "Relax! You're going to love
this... it's gonna be easy!" Yeah, rrrriiiggght! As an
instructor who loves teaching beginners this title makes you
wince just a
little when you remember some students you spent most of the class
trying to convince of this. Some never were convinced. Know
what? In this case, the
author delivers. This second book was a real pleasant surprise.
The
Highlights:
There were very
few areas of this book that did not have something to get excited
about, but we'll try not to just read the book for you. The
first chapter I liked was "Setting up Your Workspace". The
message here echoed something I read in Andy Anderson's book, you don't
need
much space to get started, but you need a space. Then there are
the sewing projects. You read that correctly, sewing
projects. Sew
yourself a tool roll and/or a carving apron. There are patterns.
There are step-by-step instructions. I've sewed a tool roll, back
when I started woodcarving long, loooong ago. I really, really wish I had done an apron back then.
The first feature that made my jaw hit the floor was the table on pages
8
and 9, right under "Choosing Your First Tools". Four columns
across the top: Tool photo, What It Is, Why You Need It, & Where
You Need It. Columns 1 and 4 had pictures (remember, still worth
a thousand words). On page 8 the table listed "Five Basic
Tools". On page 9 the table had four "Additional Tools". It
was so simple and so informative and it so absolutely answered that
guaranteed beginner's question "What tools should I buy?", that you
immediately slapped your forehead and said "Doh! Why didn't I think of
that!". Then there's "Block 1: Round Shapes", and a
diagram of a circle drawn inside a square, and step #2 says, "Notice
how much more wood must be removed from the corners of the block than
the sides to create 'round'". How many times have I drawn that
diagram on a scrap of paper or my white board? How many times
have I chanted the mantra to my beginners, "Don't be scared... You
gotta knock them corners of first... That's where most of the wood
comes off... You
gotta knock them corners off... You gotta knock them corners
off..."? Well, it almost brought tears to your eyes. Thank
you Cyndi. It's now in print.
What follows is a very good
series of simple skill building exercises. Each of these is
followed with a "Applying what you've learned" box... a very, very good
feature. Finally there's a nice collection of first time projects
that use at least one, but usually more of the skill building chapters
that came before. I think my favorite was the cypress knee Santa
(which could easily be done in basswood) with it's "doodad dot "
trim. Just my two cents worth, but if you swap a circular magnet
for the washer in the paperweight in project #5, it would make a real
classy magnet for tacking notes and artwork to the fridge.
A
brief tour:
Introduction
- The author's view of what she feels the book is
for and what beginner carvers need.
Part 1: Getting
Started
- Setting Up Your Workspace
- Understanding Basic Carving Tools
- Choosing Your First Tools
- Sharpening Tools
- Safety Equipment
- Selecting Wood
- Painting and Finishing Supplies
- Other Supplies
- How to Make a Tool Roll
- How to Make a Carving Apron
Part 2: Basic
Techniques
- Transferring Patterns
- Making the Basic Cuts
- Painting and Finishing Techniques
- Doweling
Part 3: Skill Building
Exercises
- Block 1: Round Shapes
- Block 2: Angel Sides
- Block 3: Ball
- Block 4: Low Relief Carving
- Block 5: Pillar
- Block 6: Chip Carving
- Block 7: Segments
- Block 8: Scallops
- Block 1, Exercise 2: Incised Designs
- Block 2, Exercise 2: Quilted Designs
- Using Your Practice Blocks
Part 4: Projects
- Project 1: Aztec Angels
- Project 2: Bunny Box
- Project 3: Snowman
- Project 4: Cypress Knee Santa
- Project 5: Shell Paperweight
- Project 6: Welcome Sign
Nit Picks:
OK, here they
come <G>, no one gets out of here without at least one of
these! In her workspace chapter the author recommends shadowless
lighting exclusively. I strongly disagree. When we carve, in a
sense, we paint with shadows. These shouldn't be shadows
that are so dark you can't see where the knife is, but they help define
the shapes you are creating. A mix of fluorescent lighting and an
incandescent light that can be aimed (clamp light?) is more
ideal. The table of tools is great, but the only V-tool
recommended is a 1mm. This small a v-tool will limit its
usefulness to fine incised lines. A larger v-tool would do fine
lines and deep stop cuts
dependent only on how deep you go with it. In the "Making the
Basic Cuts" there could have been a little more detail on working
with the gouge. There were plenty of good safety tips here, but
"pulling the gouge towards you" should be done by rotating the wrist so
your using the small muscles with more control. This better
accomplishes the "small range of motion" that the author did mention.
Rating:
This is a four and a half thumber no doubt about it. If I
were to write a woodcarving book, one for beginners would be the last
on my list, because it would be just too scary. In her
introduction Cyndi set one of her goals as "presenting a more
contemporary approach" for the beginner woodcarver. She
accomplished this and a whole host of others. A extreme "must
have" for the beginning woodcarver and the woodcarving instructor
looking for fresh ideas and approaches to teaching this art.
OK Gang, keep them edges keen, the chips piled high, and your
beginner's enthusiasm. Meanwhile, I need to start carving a wood
duck because he
is a
pretty good brother-in-law.
Keep on
Carvin'
-Mike Bloomquist->
Mike
Bloomquist is a carver
and carving teacher, and a regular contributor to WOM.
You may visit Mike's web site, Wooden Dreams
Woodcarving HERE
or email him at m.bloomquistATverizonDOTnet.