...even the best of woodcarvers (or so I hear). Being an old neophyte, I've majored in Failures. Indeed, I think I could write a book on it (well, an article, maybe). First, (in the best academic traditionsee, Ma, all that eddikayshun wasn't wasted) some definitions.
A woodcarving FAILURE is any carving:
1. at which your significant other wrinkles up his or her nose and says, "Very nice, dear, but what is it?"
2. from which the crucial bit cracks off just as you are applying the final perfecting touch of the chisel; whose nose, head, hand, wing or whatever is on the workshop floor;
3. which instantly depresses you the moment you walk into the workshop;
4. which you shove down behind the workbench, hoping no-one will find it (Of course, all visitors will immediately ferret it out to great shrieks of amusement and guffaws);
5. about which people enthuse "What a fantastic turkey!" (It's meant to be an eagle)
6. which wins first prize in the abstract section (and
you still think its the spitting image of Uncle Bob).
First of all we need to reprogram your brain and get rid of those
lazy, good-for-nothing, failure-creating beliefs and hopefully
still leave enough brain cells for you to continue carving. Now
for some rah-rah motivation. Instructions: Stand up and yell out
the bits in capitals below. It's important to anchor these new
thoughts, so, as Benny Hill once put it "Stick your finger
in your ear". It's also important to squash the cynic (you
know, that little bit of your mind up in the top left-hand corner
that goes "nyah nyah nun nyah nyah"). To help you do
this, I've identified typical cynic thoughts in parentheses. These
thoughts are to be placed in a small, brown paper bag and squished.
1: FAILURE IS JUST OPPORTUNITY
IN DISGUISE. (hey,
Opportunity, good disguise. You nearly fooled me with that turn-everything-into-sawdust
routine).
2: YOU LEARN MORE FROM FAILURE
THAN SUCCESS (That's
right, after you learn 101 ways NOT to carve a duck, you can learn
the 102nd way. If you could carve the darn duck, you'd never learn
those 102 ways.)
3: YOUR WORST ENEMY IS YOUR
FEAR OF FAILURE (and
not the power tool from hell, oh yeah)
4: YOU HAVE NOTHING TO FEAR EXCEPT FEAR ITSELF (ignore the maniac with the chainsaw-woops that's me in the mirror).
For those of you who have survived with enough brain cells left for reading, here are the tips. For the less fortunate, click here and Uncle Bill will gently waft you into the ether of cyberspace.
Tip Number 1: Turning
Eagles into Turkeys
This is the easiest
of all. All it requires is massive restraint. When admirers excitedly
enthuse that your eagle is the most wonderful turkey they have
ever seen. "So lifelike. It looks just like that one we had
for last Thanksgiving (USA)/Christmas (rest of world)", swallow
your initial impulse to brain them and drop that mallet. Look
humble (shuffling feet is a nice touch) and say "Aw shucks.
"Twarn't easy to get that turkey look." Bask in praise.
An interesting variation on this theme is the "Blind 'em
with Science" routine. To the "Very nice dear, but what
is it?" reaction, say the following: "A primordial scream
of existentialist protest against the inanity of post-modernist
discourse" (translation: I'm really angry that you are so
stupid you can't see what it is). This will have one of two effects:
either puzzled silence (excellent, walk away quickly before they
get it) or "Huh?" (also excellent, walk away slowly
they'll never get it).
Tip Number 2: Chain Saw Massacre
This was a favourite technique of the Australian pioneers
who decided that the Australian bush was one of God's failures.
Using this powerful technique they were able to turn 70 per cent
of failure into the glorious success of bare sheep paddocks and
desert in less than 200 years of white settlement. (And you thought
that the Texas Chain Saw Massacre was big!).
To employ the methods of my noble forebears, take your biggest,
most destructive carving tool (chain saw, rotary chisel, or, if
you are a real neanderthal, axe er, for you dwellers in the US,
that's an ax.) and rip into the carving. Get some of that frustration
out. As well as being therapeutic, this will change the carving
forever. You'll either end up with something you can work with
or you'll end up with a massive failure as opposed to a normal
size one (hey, if you're gonna fail, let's fail big). Quotaholics
will recognise this as a variant of Anthony's Law of Force: Don't
force it; get a larger hammer.
Tip Number 3: Burn, Baby, Burn
Another great Australian pioneer technique adapted to our
needs. Take one failure and toss it on the fire. Let it burn.
Ooops, sorry, I forgot to mention don't let it burn completely.
Never mind, you can always try again. The idea is not to keep
you warm, but to alter the shape in an unpredictable way, so that
you then have an interesting shape to work with. Oh well, onto
tip number 4.
Tip Number 4: If thy eye offends thee
The master teacher, who grew up in a carpenter's shop and
therefore should know a thing or two about woodworking, said it
best, "If thy eye offends thee, pluck it out". Don't
act on this, until you read this warning and disclaimer: this
is not to be taken literally and I will not be responsible for
any one-eyed carvers out there. Perhaps, I'd better rephrase it:
"If there's a bit of the carving that doesn't work, chop
it off". For me, it's usually the bit that I'm most attached
to in the entire carving. I spend a lot of time fighting this
wisdom until finally I'm forced to admit that the whole carving
is going one way and this lovely bit is going somewhere else (into
the discard bin).
Tip Number 5: The Uncarved Block
The Chinese master teacher, Lao Tzu, who knew a lot about
non-carving, put it best in the Tao Te Ching when he said: The
block of wood is carved into utensils by carving void into the
wood. The Master uses the utensils, yet prefers to keep to the
block because of its limitless possibilities. To find the serenity
of the uncarved block, remove all traces of the carving. Create
a cube, pyramid, cone or cylinder. Start again.
Tip Number 6: Random Rambo
Oh, you know the sort of thing from action films. The hero,
naked to the waist, except for cartridge belts criss-crossed against
his sweat glistening pectorals and washerboard stomach, bursts
into the room, machine gun in hand and sprays bullets mercilessly
at the crockery, glassware, furniture, radio and television set.
Now, I'm not suggesting you go quite so far (Disclaimer: Pistol-packing
persons please note: I bear no responsibility for how any of my
readers might use any firearm.)
Personally, I'm sure I could do the Rambo thing. I could have the double-D pecks, rippled tummy and psychopathic mind if I really wanted to. I just don't want to and fortunately for all of us, you don't have to. To play Rambo woodcarver, reach for your trusty electric drill and the largest twist bit you have and make Swiss cheese out of that carving. After you've had your fun, try to make something sensible out of it.
Tip Number 7: Simplificate, and add more lightness
Now, I've forgotten where I got this story (which probably
means I read it when I was under ten in a dog-eared Reader's Digest
found squashed behind the sofa) &, to make matters worse,
I've forgotten who the hero of the story is. If anyone can enlighten
me on either point, I'd be grateful. Anyhow, the hero is a straight-talking,
not formally educated, about-to-become a multi-millionaire in
the aviation industry. His University-educated and loquacious
designers have produced the design of a plane that may make or
break his fledgling business. It's a mass of super-features, state-of-the
art, superplane. He takes one quick look at the plans and the
accompanying ten pages of well-written, tightly-argued justification
for the design, and, with a red pencil and in a hand barely legible,
scrawls the word, "simplificate", then pauses for a
moment chewing the end of the pencil and adds "and add more
lightness". The plane, thus re-designed simpler and lighter
goes on to become an industry leader and the business booms, making
his fortune. Over to you: simplificate that carving and add more
lightness.
Tip Number 8: Go for broke
This is one for the timid souls amongst us (viz: all of us
at some time or another). When I was learning to drawlet me re-phrase
that (I'm still learning, aren't we all?)when I was being taught
to draw, I was really timid. I'd put down these little marks,
really faintly so you could barely see them. I was terrified of
making a mistake, so I'd make nothing at all. The teacher grabbed
my hand and pushed it so hard that the pencil tore through the
paper. "See", she said, "It's only paper. It's
only a drawing. It's not the end of the world if it doesn't work.
You can do it over. Now 20 bold drawings in 20 minutes. Go!"
At the end of 20 minutes, my hand ached, I was surrounded by 20
sheets of paper on the floor with 20 bloody awful, but bold, drawings
on them, and I never cared again whether I got a drawing "right"
or not.
So, it's only wood. It's only a carving. It's not the end of the
world if it doesn't work. You can always do another one. In the
meantime, be bold. Cut deeper than you think you should. Emphasize
the curve, deepen the hollows, sharpen the edges. Forget about
making it "right" and go for broke.
Tip Number 9: Divide and conquer
I've been busy trying to trace the origins of this tactic,
without much success. I suspect it was probably Nicolo Macchiavelli
(or maybe it was his older brother Angelo or his other older brother
Luciano). Anyway, as every youngest child knows, the best way
to get to play with your bigger siblings' toys and get them into
trouble at the same time is to make them fight with each other.
Well that just may be the problem with that carving over there
behind the workbench. Maybe you've got two parts of the carving
that are fighting each other (or maybe, even worse, you've got
a carving with a multiple personality disorder). The solution
is simple and surgical: take one saw and divide the carving into
two.
Tip Number 10: The First Rule of Failure
Which is: If at first you don't succeed, destroy all evidence
that you have tried.
For woodcarvers, "If at last you can't succeed, firewood".
And in parting until we meet again by the glowing embers of our would-have-beens, could-have-beens, if-onlys and nearly-made-its, having turned our failure into a roaring success, let me leave you with the words of someone who ought to have known (Winston Churchill):